Future Presentation - Theorising Wales Conference, July 2010

Heike and Rebecca will be presenting a paper at the Theorising Wales conference, organised by Swansea University. The conference will be held at Gregynog Hall between 12th and 14th July.

The paper will consider the emergence of Wales and Welshness as concerns in visual art practice in the late 1970s, with particular reference to the practice of performance art & the National Eisteddfod of 1977.

Further details about the conference can be found here: http://www.swansea.ac.uk/CREW/Conferences/TheorisingWales/  

Interviews with Joan Baker and Anne Gingell

Rebecca met with Joan Baker and Anne Gingell today, to hear their memories of Cardiff College of Art from the 1960s and 1970s. 

Joan Baker studied art at Cardiff, before going on to teach at other colleges including Bath.  She returned to Cardiff and taught there for 38 years, working closely with Tom Hudson.

Anne Gingell moved to Cardiff in 1966 when her husband, John, took up a teaching post at the college. John Gingell was very interested in performance, and his ‘Alternative Studies’ course at the college laid the foundations for the establishment of the Third Area, later to become the Space Workshop.

We are still looking for former students from the college. If you took part in performances with John Gingell, or were one of the students experimenting with performance and sound in the early 1960s (or earlier!) then we would love to hear from you.

Thanks to Joan Baker and Anne Gingell for their support for the project.

Interview with Sybil Crouch, Taliesin

Rebecca interviewed Sybil Crouch today, of Taliesin Arts Centre, Swansea. Sybil was a student in Swansea and later went to work for West Wales Arts based in Carmarthen, taking charge of their art programmes. Part of our discussion was on the Swansea University Festival in the late 1960s and early 1970s, which included work by Gustav Metzger, Ivor Davies and Jeffrey Shaw. If you attended the festival or Pavilions in the Park or perhaps saw Shirley Cameron and Roland Miller as Cyclamen Cyclists in Swansea Docks then we would love to hear from you.

If you wish to jog your memory try our database, which contains over 2000 entries of performance art events in Wales and is available through the project’s website at http://www.performance-wales.org/

 

Thanks Sybil for sharing your memories with us.

Presentations in Glasgow and Liverpool

Heike gave two presentations on the project over the past week.

Heike contributed to a roundtable on Remembering Performance as part of the 30-anniversary edition of the National Review of Live Art Festival in Glasgow. Other participants included Claire MacDonald, Richard Layzell, Fiona Wright and Paul Clarke.

Sunday 21 March 2010, 11am -1pm at The Arches in Glasgow.

Further details are available at:

http://www.newmoves.co.uk/event-list-2010-national-review-of-live-art/40-national-review-of-live-art/697-remembering-performance-panel-discussion 

 

Heike presented a paper on her research into the development of performance art at Cardiff School of Art in the 1960s and 1970s as part of the Sculpture & Performance Conference, organised by the Henry Moore Foundation and the Tate Liverpool.
Friday 26 March 2010, 2pm at Tate Liverpool.
Further details are available at:http://www.henry-moore-fdn.co.uk/hmi/research/research-events/sculpture-performance

For future presentations visit http://www.performance-wales.org/english/events/lectures.htm

Interview with Glyn Jones

Glyn Jones was the Head of the School of Fine Art at Cardiff College of Art between 1972 and 1999.  Born in the Rhondda, he studied at Cardiff in the 1950s, before going to the Slade School of Fine Art in London.  Glyn has exhibited widely and is a member of the 56 Group.

We spoke to him about his career as a teacher and artist, and also about the development of Cardiff College of Art and of performance art in the college with the establishment of the so-called "Third Area" and later the "Space Workshop". 

If you were a student during this period, we would love to hear from you; please email mail@performance-wales.org

We'd like to thank Glyn for his support, and for sharing his memories with us.

Anti-bodies/Zoo Reunion

We are continuing the work on John Gingell's archive and this week interviewed three of his collaborators from the early 1970s.  John Danvers, Charles Garrad and Ken Hickman were all members of the Zoo Group, an artists' cooperative co-founded by Gingell in the early 1970s. 

John, Charles and Ken travelled down to Cardiff, to John Gingell's former home, to meet with us.  Along with talking about the Zoo Group work, Charles and John were students at Cardiff College of Art during the time that 'Alternative Studies' was being established, which went on to become the Third Area/Space Workshop.

The three were also members of the group 'Anti-bodies', which produced work around Europe in the early 1970s.

The interview summary will be available online on our website at some point soon.

We'd like to thank John, Charles and Ken, and also the Gingell family for their time and support and for contributing to the research.

Next, we hope to meet with more former students from Cardiff who were involved in performance work during this time.  If you would like more information about this, please email us at mail@performance-wales.org

Ian Breakwell exhibition in Derby - Unword (Swansea 1970)

The QUAD in Derby currently shows a retrospective of the late British artist Ian Breakwell.
Breakwell presented a number of performance pieces in Wales in the late 1960s and early 1970s, including UNWORD 4 at the Swansea University Arts Festival in 1970. A film documentation of the seminal UNWORD series, made with film-maker Mike Leggett, is on show at the QUAD.

Ian Breakwell: The Elusive State of Happiness
QUAD Gallery, Corridors and Digital Screens
13th February 2010 – 18th April 2010
http://www.derbyquad.co.uk/whats-on/exhibitions/ian-breakwell

For information on UNWORD 4 go to:
http://www.performance-wales.org/english/archive/1970/1970.htm

Interview with Christine Kinsey, co-founder of Chapter Arts Centre

Christine Kinsey, along with Mik Flood and Bryan Jones, founded Chapter in Cardiff over forty years ago.  Chapter has become an important site in Cardiff for the arts, and one of Christine's (many) roles was in programming the gallery spaces, along with renovating the building, working behind the bar, designing publicity, managing the administration and a host of other jobs.

Rebecca has been to interview Christine this week about the founding of Chapter and the early years, the arts scene in Cardiff at the time, and the experimental work that flourished in Chapter.

Thanks to Christine for her time and sharing her memories. A transcript summary will be posted on the project website in the near future.

First Group Interview - Aberystwyth Arts Festival 1968

We held our first group interview last weekend with five former Aberystywyth University students who had been on the organising committee or attended Aberystwyth Arts Festival in 1968.  The '68 festival brought Fluxus to Aberystwyth with a three-day happening organised by Brian Lane, Rainbow Day and the First Dream Machine.  It included a concert of experimental electronic music, poetry events and a Fluxclinic, where particpants had their body-parts weighed, measured the capacity of their mouth and were tested for x-ray vision.

The amount of material on the festival that the group has kept was wonderful, including original leaflets from Brian Lane's 'Leaflet Concert', responses to requests to be patron of the festival (including Cecil Day Lewis, Raymond Williams and Jennie Lee), letters from Brian Lane and lots of posters. Topics covered in our conversation, apart from the Arts Festival itself, included art and politics, the 1960s underground scene, the student revolt of 1968 and links between the anarchist movement and Welsh-language activism at the time.

We are now adding all this material to the database and working on a transcript summary of the interview, all of which we hope to make available soon.

Thanks to Bob, Ian, John, Jonathan and Steve for returning to Aberystwyth and for sharing your memories, and for organising it all back in 1968. 

Finishing theme one and moving on...

The first theme of the project, performance and pedagogy, is nearly complete (well, the collection part at least).  Beck is putting the final touches to the database having processed the huge amount of material we collected from John Gingell's archive - over 1800 images!  Hopefully, we'll update the online database this month, and this material will be available on the website.  It includes many performances that we didn't know about before, along with photos and information about all manner of work carried out by John Gingell with his students and the ZOO group during the late 1960s and early 1970s.  We're indebted to John's family for giving us access to the archive, and for their help in piecing things together.  Thank you!

And on to theme two...  We're now going to be looking at networks, internationalism and student politics, and are beginning by holding a small reunion in Aberystwyth next Saturday.  We have invited a few former students who were involved in the Arts Festival in 1968 and are looking forward to hearing their memories of the events.

If anyone else has any information about, or attended, the festival, please get in touch with Beck and Heike at mail@performance-wales.org